| Repeatedly shouting out to both crime movies and Westerns – even its title and central conceit feel like references to Lauren Bacall’s iconic To Have and Have Not line of dialogue – the director orchestrates his action with slippery subtlety and droll humor, and he continually surprises on his way to an expressively non-verbal finale of light and music. 128,205 Stars: | 2020 geht so als Jahr in die Geschichte ein, in dem vielleicht das erste Mal mehr Highlights auf Netflix, Amazon Prime Video, Disney+ und Co. ihre Premiere feierten als im Kino. Odessa Young, Johnny Flynn, | Set to a new wave '80s soundtrack, a pair of young lovers from different backgrounds defy their parents and friends to stay together. Leslie Odom Jr. R Stars: Tell us what you think about this feature. Marder evokes Ruben’s condition through an expertly calibrated soundscape that vacillates between harmonious, crystal-clear atmospherics and the low, scary dullness that now besets Ruben. By means of a job coaching his Catholic alma matter’s struggling team, Jack is blessed with a shot at salvation, turning around the fortunes of his players and, by extension, his own life. | 100 min Adventure, Comedy, Music. Eric Lange, Samara Weaving, 108 min | No matter its conventionality, however, Parkes’ heartfelt performance as Crichlow, a man who wanted to realize a dream and came to understand that he’d created a vital hub for his community, is so enraged and aggrieved that, alongside Letitia Wright’s turn as Altheia Jones, it invigorates this legal affair. | Splitting his documentary into chapters based on Chatwin’s books, and guiding his action with typically lofty narration, Herzog embarks on the sort of “erratic quest” for answers to existence’s biggest questions that were favored by Chatwin. | Kristin Scott Thomas, 124 min Jack Huston, R Drama, Mystery, Romance. | Dean Parisot $53.80M, PG-13 | Autumn de Wilde Drinks and hallucinogenic edibles help alleviate the initial awkwardness of this get-together, but the good times are fleeting, thanks to a strange mist emanating from the dark, furious depths of the ocean, which contaminates the area with glowing Lovecraftian foliage and giant, slimy organisms. 164 View Slideshow Getty Images . Angus Imrie, R Beginning with Kysilkova’s decision to paint Nordland’s portrait (peaking with one of the year’s most stunning scenes), their bond is forged by underlying similarities: traumatic and abusive pasts, as well as their habit of risking their lives for their addictions – in his case, drugs; in hers, painting. | Still, in an ironic twist, the real draw of this tribute to writers is Fincher’s remarkable directorial artistry. Octavia Spencer, Votes: A Civil War veteran agrees to deliver a girl, taken by the Kiowa people years ago, to her aunt and uncle, against her will. Clémence Poésy, | Sacha Baron Cohen, | | Gross: Marrying the handheld-centric realism of the Dardennes with the unnerving dreaminess of David Lynch, director Nyholm blurs the boundary between fantasy and reality until it vanishes altogether, with the nursery rhyme of the title (sung by Mog) and animated shadow-play sequences both contributing to a wicked storybook atmosphere. Guns, abortion and immigration are the most contentious of the hot-button topics tackled by these would-be representatives, and through their campaigns, what emerges is a portrait of politics as a war defined by personalities, prejudices, fearmongering, and dirty tricks and slander. Stars: Its formal structure intrinsically wedded to its shocking story, Neulinger’s film reveals its monstrous particulars in a gradual bits-and-pieces manner that echoes his own childhood process of articulating his experiences to others. The murderous threesome seems to have leapt to life from a painted music box coveted by the couple’s child, thereby casting the proceedings as a symbolic portrait of heartache as a never-ending predator intent on destruction. Aviva tackles the multifaceted nature of gender identity in fittingly diverse fashion, depicting the highs and lows of a couple’s relationship via narrative and modern-dance means – as well as by having both a man and a woman play each of its protagonists, male Eden (Bobbi Jene Smith, Tyler Phillips) and female Aviva (Zina Zinchenko, Or Schraiber). With City Hall, 90-year-old documentarian Frederick Wiseman trains his critical eye on the city of Boston and the many civic institutions and organizations that keep it running. | In a god-fearing small town in 1960s Oklahoma, bespectacled and reclusive teen Iris endures the booze-induced antics of her mother and daily doses of bullying from her classmates. There’s not much mystery to this tale of forbidden desire, but considerable restraint and subtlety, as Lee exquisitely conveys Mary and Charlotte’s emotional states through shrewd, textured compositions of Mary’s spartan home (which she shares with her mother) and oceanic workplace. 1840s England, acclaimed but overlooked fossil hunter Mary Anning and a young woman sent to convalesce by the sea develop an intense relationship, altering both of their lives forever. Guy Ritchie Like Orson Welles’ classic 1938 The War of the Worlds broadcast, the film is a tale of potential invasion that plays out over radio waves, and Patterson thus naturally focuses on intently listening faces, and the spoken words that captivate them, as a means of generating anticipation, mystery and suspense. Drama, Mystery, Thriller. Ivan Massagué, The film’s gimmick is that said drinking establishment is actually located in New Orleans, and its patrons have been cast to play improvised versions of themselves—a formal approach that allows the directors to faithfully capture the entire spectrum of sloppy, joyful, self-pitying, antagonistic and regretful emotions that invariably materialize in (and define) such a joint. Watch Now. Director: Mirjam Novak, Rich in agonized angst and formal flourishes, it’s a masterwork of unhinged tone, as well as a showcase for Buckley, whose grand performance covers an expansive stretch of emotional terrain. Sacha Baron Cohen, | Dani Popescu, R Michael Banks Repeta, PG-13 Director: 88 min Drama. Rudhraksh Jaiswal, R 113 min Action, Thriller. His mission leads him to a Russian arms dealer (Kenneth Branagh) and his unhappy wife (Elizabeth Debicki), although the narrative twists and turns of this would-be blockbuster – made even harder to follow by a sound mix that turns some dialogue unintelligible – are secondary to the flair of its set pieces, full of reverse bungie-jumping and skirmishes, shootouts and car chases that run simultaneously backwards and forwards. 105 min | | Biography, Drama, Romance. Sope Dirisu, | Ashleigh Murray, R Stars: Brandon Trost | Several months after the U.S. entry into World War II, an inexperienced U.S. Navy commander must lead an Allied convoy being stalked by a German submarine wolf pack. 94 min Keanu Reeves, Haley Bennett, | Kristen Stewart, Dynamic, unique and altogether triumphant, these are our selections for the best movies of 2020. 174 min Jessie Ennis, Gaslighting gets downright monstrous in The Invisible Man, a 21st-century take on Universal’s classic unseen specter. In the ensuing weeks, 37 more burn victims perished due to bacterial infections at local hospitals, which journalist Catalin Tolontan and his colleagues soon link to a widespread scandal involving diluted disinfectants, gangster hospital managers, and amoral bribery and profiteering that incoming health minster Vlad Voiculescu is tasked with cleaning up. | Framing characters amidst forest greenery or through constricting cabin windows, and setting its action to the serene sounds of its rural environment – snapping twigs, chirping birds, running water, human breath – it’s an empathetic vision of profound male friendship and perilous capitalist enterprise. Director: A homeschooled teenager begins to suspect her mother is keeping a dark secret from her. Delroy Lindo, James LeBrecht and Nicole Newnham’s documentary is the story of that quietly revolutionary locale, where disrespected and marginalized handicapped kids were finally given an opportunity to simply be themselves, free from the judgement of those not like them. Whether tapping into universal hopes and fears, or incisively reflecting our current insane circumstances, they offered insight and escape, as well as thrills of a breathtakingly varied sort. Guided by narration from JP Morgan’s daughter Anne (Eve Hewson), Tesla’s tale is recounted as a fragmentary collage full of scenes set to painted backdrops and peppered with anachronistic touches (a vacuum cleaner here, an iPhone there) that speak to the lasting legacy of his revolutionary toil. Thankfully, Netflix gets it, too. | J.K. Simmons, There’s no filmmaker working today more adept at generating scares via the sudden appearance of shadowy background figures, or at prolonging sequences to their nerve-wracking breaking point. You’ll never look at sows quite the same way again. 123 min In a 1945 Leningrad still recovering from the end of WWII, lanky Iya (Viktoria Miroshnichenko), aka “Beanpole,” works as a nurse even though her military service has left her with a condition in which she becomes temporarily frozen. While we can’t celebrate them all, this year-long rundown has certainly tried to do justice to the finest that filmmakers had to offer. | Kiera Allen, Vince Vaughn, Helena Bonham Carter, R Iliza Shlesinger, R Antonia San Juan, Gail Cronauer, Jurnee Smollett, Votes: Good luck making coherent heads or tails of the film’s convoluted story about a CIA agent known only as the Protagonist (John David Washington) who teams with a shadowy colleague (Robert Pattinson) to discover the origins of bullets that, thanks to entropic “inversion,” can travel back in time. Also fixing its gaze on a one-legged chicken cautiously trudging through tall grass, and a herd of cows whose dark, mysterious eyes gaze intently at the camera, Kossakovsky’s dialogue-free portrait conveys essential truths about survival, togetherness and love through protracted takes that creep around and alongside its four-legged subjects. Kathryn Newton, 2020 Movies: A list of movies in theaters + released in 2020. Years later, when he reluctantly accepts a coaching job at his alma mater, he may get one last shot at redemption. Oliver Jackson-Cohen, Tom Holland, Jesse Eisenberg, | Comedy. Chris Hemsworth, A descendant of Jan Švankmajer and the Brothers Quay, Cristóbal León and Joaquín Cociña’s The Wolf House is a mesmerizing stop-motion storybook fable about a young girl named Maria who flees her Chilean-situated German colony (based on the notorious real-life Colonia Dignidad, formed by ex-Nazis) and, to protect herself from a predatory wolf, takes refuge in a house in the woods. Taking the form of a black-and-white film from the 1940s, Fincher’s inside-baseball character study scrutinizes the marriage of movies and politics, and the push-pull between self-destruction and creativity, through the lens of Mank (Gary Oldman), whose story flip-flops between his time in a ranch house writing Orson Welles’ (Tom Burke) masterpiece and his prior relationships with William Randolph Hearst (Charles Dance) – the inspiration for Kane – and the mogul’s mistress, actress Marion Davies (Amanda Seyfried). Disney executives have unveiled the company’s new, Hulu-inspired streaming service for international territories: Star. | Janelle Monáe, Courtesy of a phenomenal Cohen and Bakalova, Borat and Tutar’s sour-to-sweet relationship provides a sturdy backbone for a series of politicized hidden-camera gags in which the foreigners’ unacceptable behavior coaxes real people to expose themselves as bigots and sexists. Anna Camp, R | Stranger still is the 1950s-style UFO zooming around the sky – perhaps a hallucination invoked by the psychotropic drugs the townsfolk have ingested? A gentle film that radiates overpowering compassion for its characters and their plights, writer/director Lee Isaac Chung’s Minari charts the 1980s endeavor by Korean husband/father Jacob Yi (Steven Yeun) to make something of himself by starting a farm in rural Arkansas – an American dream that worries his wife Monica (Han Ye-Ri), and poses challenges for his daughter Anne (Noel Kate Cho) and son David (Alan Kim), the latter of whom suffers from a potentially fatal heart condition. Stars: Yet as evidenced by the numerous gems that arrived over the course of the past twelve months, cinema remains as vital as ever. A list of major movies released in 2021, in release order! Roaring blast-beat assaults give way to eerie silence for Ruben (Riz Ahmed), a punk-metal drummer whose hearing disappears suddenly, and terrifyingly, in writer/director Darius Marder’s Sound of Metal. Bill Skarsgård, Jack Cunningham was a high school basketball phenom who walked away from the game, forfeiting his future. That balance is key to Relic’s terror as well as its heart, both of which peak during a claustrophobic finale set inside a literal and figurative maze, and a coda that suggests that there’s nothing scarier, or kinder, than sticking with loved ones until the end. Maria Bakalova, Ike Barinholtz, Everything is connected in this economical and thrilling sci-fi saga, as the writer/directors – aided by understated performances from their Hollywood leads – deliver a unique vision of intertwined fates, the links between the past and the future, and the importance of cherishing the present moment. Chung’s storytelling is awash in contrasts – between alienation and communion; the urban and the rural; religion and self-determination – that he establishes with a lyrical touch, allowing his tale to slowly reveal itself to be a multifaceted family drama about faith, togetherness, survival and adapting to new and daunting circumstances. | Gross: Netflix Hulu Disney+ Prime Video Apple TV+ Favorite Events Tweet Share Email Watching free movies online is a convenient and frugal way to see the films you love right from the comfort of your own home. Gerard Bush, Director: Diao’s neo-noir follows a gangster named Zhou Zenong (Hu Ge) who, after killing a cop in a criminal enterprise gone awry, partners with a “bathing beauty” prostitute named Lu Aiai (Gwei Lun Mei) in order to reunite with his estranged wife Yang Shujun (Wan Qian), all so she might collect the reward on his head. Natasha Liu Bordizzo, R | Hunted by police captain Liu (Liao Fan), Diao’s protagonists are engaged in a deadly game that’s played in silence because they all inherently know the rules, and their sense of purpose is echoed by the film itself, which orchestrates its underworld conflicts with bracing precision. | A cry for help and a call to arms, it’s nothing short of straight-up horrifying. Director: Period Movies 2020 List: News of the World • Wonder Woman 1984 • 1917 • Mulan • Emma • True History of the Kelly Gang • The Secret Garden | A Democratic strategist helps a retired veteran run for mayor in a small, conservative Midwest town. Gemma Jones, Armed with only one word, Tenet, and fighting for the survival of the entire world, a Protagonist journeys through a twilight world of international espionage on a mission that will unfold in something beyond real time. Charlie Hunnam, Also focused on a Collectiv survivor attempting to rebuild her shattered body and life (replete with a new, artificial hand), Nanau’s doc is a harrowingly immediate dissection of a country that seems to be so rotten to its core, no amount of heroic crusading and reform can sanitize it. A complete list of 2020 movies. In keeping with its predecessors, the duo’s latest colors its humor with a strain of wistful regret rooted in their thorny feelings about transitioning into middle age. | Those sequences, as well as a disaster-wracked finale, also capture her gnawing anxiety about finding her way – an issue that also pertains to her dream of becoming a singer, which manifests itself in two separate fantasy sequences that prove highlights of Kurosawa’s idiosyncratic latest. Avoiding unnecessary diversions or italicized politics, the filmmaker streamlines his tale into a ferocious game of cat-and-mouse, with Moss commanding the spotlight as a woman tormented both physically and psychologically, and determined to fight back against her misogynistic victimization. When carefree Nyles and reluctant maid of honor Sarah have a chance encounter at a Palm Springs wedding, things get complicated as they are unable to escape the venue, themselves, or each other. Ree reveals such connections through subtle juxtapositions that emerge naturally from his subjects’ day-to-day travails, which eventually involve financial hardships and a near-fatal car crash for Nordland. Director: Our list of 2020 Movies is even more accurate than IMDB. Directors Jesse Moss and Amanda McBaine’s documentary follows a number of kids as they make their way through Texas’ week-long Boys State program (sponsored by the American Legion), in which hundreds of teenagers are split into two political parties (Federalists and Nationalists) and asked to create a unified platform and elect officials. | Jeremy Strong, R | Mia Goth, Tom Hanks, Disaffection and sorrow hover over Tesla, Michael Almereyda’s daringly unconventional film about the famed nineteenth-century inventor. | Ryder Lerum, 90 min The battle against corruption and criminality—and for democracy—is an ongoing one, and as illustrated by Collective, it doesn’t always have a happy ending. There, the husband and wife are preyed upon by a creepy trio—bowler hat-wearing dandy Mog (Peter Belli), unkempt Cherry (Brandy Litmanen) and giant Sampo (Morad Baloo Khatchadorian)—in an endless Groundhog Day-style time loop that always concludes with their deaths. Teaming with his former production designer Juliano Dornelles, director Kleber Mendonça Filho (Neighboring Sounds, Aquarius) delivers an allegory of zonked-out weirdness with Bacurau, which quickly has locals engaging in a do-or-die battle with a pair of interloping São Paulo bikers and a group of murderous Western tourists (led by a hilariously peculiar Udo Kier) who’ve traveled to South America to partake in a variation of The Most Dangerous Game. Comedy. Shot in alternately tremulous and composed handheld, director Balagov’s long takes place a premium on close-ups, the better to convey the dizzying anguish of his subjects, who are as decimated as their environment. Tenet may be the ultimate Christopher Nolan movie, distilling the director’s aesthetic style, storytelling conventions and thematic preoccupations down to their abstract essence. Director: In vistas of the ancient and immovable Cordillera, close-ups of cracks lining the hardscrabble soil, and gazes into labyrinth-like patterns found on junkyard car doors, Guzmán (who also serves as narrator) evokes a poetic sense of imposing mysteries and unrepairable fissures, which spread through him – and economically unbalanced Chilean culture – like the solemn valleys that course between the Andes’ peaks. Director: Although most were viewed on inadequately small screens, the legion of fiction and non-fiction releases that helped us cope with our pandemic-wracked reality delivered welcome doses of excitement, drama, terror, and humor. One of five features included in 12 Years a Slave director Steve McQueen’s “Small Axe” compilation, Mangrove dramatizes the real-life story of the Mangrove Nine, a group of Black British West Indians from Notting Hill who were charged with inciting a riot after they marched in protest against police harassment and brutality – all of it centered around Frank Crichlow’s (Shaun Parkes) The Mangrove restaurant. Among the many Hollywood stars that sadly passed in 2020, there were a number of action movie stars. Director: Shot with bobbing, swaying gracefulness that’s in tune with its environment, it’s an evocative, empathetic and altogether unforgettable portrait of life on the fringe, where escape from reality is a constant—if self-destructive—desire, and solace is only found at the bottom of a glass, in the company of fellow drunks. Aided by Liberato’s accomplished performance, first-time writer/director Jeffrey A. Kemp Powers Drama, History, Thriller. Drama, Horror, Thriller. Overpoweringly desolate and moving, it’s a vision of paralyzing individual, and national, PTSD – and, ultimately, of women banding together to forge a new future. | | Nonetheless, Lee’s action-movie investigation of internal, domestic and global racial dynamics—and defiance—thrums with timely anguish and fury, and is bolstered by an Oscar-worthy turn from Lindo as a MAGA-supporting man drowning in chaotic rage. 102 min Graham Norton, Hot-button issues emerge naturally out of this basic premise, thereby letting Whannell sidestep overt preaching in favor of orchestrating a series of finely tuned set pieces in which lethal danger might materialize at any moment, from any direction. As the famed author behind The Lottery and The Haunting of Hill House, Moss radiates ferocity and instability, and she’s matched by Stuhlbarg as the creepy, codependent Hyman. Cristi’s playing-both-sides predicament is complicated by his relationship with Gilda (Catrinel Marlon), an alluring beauty whose femme fatale status is underlined by her famous noir name, and Porumboiu fractures his narrative so that chronology, like the various dialects employed by his characters, comes across as intricately coded. As envisioned by writer/director Eliza Hittman (Beach Rats), Autumn’s with-child circumstance leads to a harrowing ordeal of uncomfortable doctor visits, financial anxieties, and incessant indignities suffered at the hands of men, be it sexually harassing classmates, her drunk and uncaring father (Ryan Eggold), or a boy (Théodore Pellerin) she and Skylar meet on the bus to Manhattan. Madness has arrived in infinite-hued form, as Stanley evokes a sense of rifts opening between our world and the great abyss beyond, and delivers fantastical sights of both a CGI and practical-effects sort. 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